I put finishing touches on this set including final paint treatments, flocking grass, placing foliage. I also created the sun and clouds in the background.
I was a set dresser on this unscripted series about the ups and downs of dating in New York City. I helped dress existing restaurants to fit the vision of the production.
Production Designer: Richard Jensen
Painted this drop in a team of 4. This was my first drop! It taught me a lot about laying out a grid, cartooning, working with a bamboo, and not stepping in the wrong place.
Capital Scenic
Charge: Jessica Phillips
Designer: Richard Harrison
Crumpled and draped mylar to create this 'Instagram Booth' for a Tom Ford NYFW event party.
Tom Ford: Fucking Fabulous
New York Fashion Week
Sup. Rose Howard
Designer: Stefan Beckman
Led a five person crew to apply foliage to hanging piece, and collaborate on tree train. Project included paper mache bark, sculpting, painting, and dressing ground foliage.
Ithaca College
Scenic Artist: Katie McGeorge
Choreographer : Lindsay Gilmour
Scenic Designer: Tyler Hampton
Costume Designer: Becca Dwight
Lighting Designer: Scott Halstead
Final stage picture.
Erosion cloth attached to topographical foam pieces as a base for the foliage.
Stapled stock foliage over sculpted foam pieces
Stock street lamp was used for trunk, ficus branches inserted.
Fabricated bark with paper mache black craft paper.
I painted this box which was to be attached to suspenders and worn by an actor.
Curious George
Theatreworks, USA
Capital Scenic, Inc.
Charge: Jessica Phillips
Worked in a team of 3 to create this wonky-wallpapered staircase. I did most of the strip-cutting and also helped with adhering the strips to the wall.
The Ring
Variety 57 Productions
Scenic Designer: Julia Noulin-Mérat
Director: Simon Hammerstein
This alleyway door is the entrance to the immersive production I worked on. The creative team wanted the door on the left to completely blend into the brick wall on the right, to create the feeling of a 'secret speakeasy door.' The Ring
Variety 57 Productions
Scenic Designer: Julia Noulin-Mérat
Director: Simon Hammerstein
We started by applying a sheet of fake homasote bricks to the door, to save the step of plotting out all the bricks.
Applied texture to the wall with joint compound to match the irregular nature of the existing brick.
Carved into the bead foam of the door itself to create the illusion of brick crumbling away.
Painted the door to match the tones in the existing brick.
The door on the left is my work and the wall on the right is the existing brick.
